﻿<?xml version="1.0" encoding="utf-8"?><rss version="2.0"><channel><title>oxfordsprodigal's Xanga</title><link>http://oxfordsprodigal.xanga.com/</link><description>Latest Xanga weblog from oxfordsprodigal</description><language>en-us</language><ttl>60</ttl><image><title>The Weblog Community</title><url>http://s.xanga.com/images/xangalogobutton.gif</url><link>http://oxfordsprodigal.xanga.com/</link></image><item><title>Sunday, March 05, 2006</title><link>http://oxfordsprodigal.xanga.com/453246139/item/</link><guid>http://oxfordsprodigal.xanga.com/453246139/item/</guid><pubDate>Sun, 05 Mar 2006 23:46:01 GMT</pubDate><description>&lt;P class=MsoNormal style="MARGIN: 0in 0in 0pt"&gt;The afternoon air was light, but the street, crowded with skepticism, managed to suck every ounce of whimsical romanticism from my veins.&lt;SPAN style="mso-spacerun: yes"&gt;&amp;nbsp; &lt;/SPAN&gt;I whispered something about simplicity and the marrow of life.&lt;SPAN style="mso-spacerun: yes"&gt;&amp;nbsp; &lt;/SPAN&gt;He would have known what I meant.&lt;SPAN style="mso-spacerun: yes"&gt;&amp;nbsp; &lt;/SPAN&gt;But he couldn’t hear me from the grave, and you wouldn’t see me from your ivory tower.&lt;SPAN style="mso-spacerun: yes"&gt;&amp;nbsp; &lt;/SPAN&gt;I walked faster, hoping that maybe, just maybe, when I was eventually forced to turn around, your magnanimous structures of the late middle age’s academia would no longer be there.&lt;SPAN style="mso-spacerun: yes"&gt;&amp;nbsp; &lt;/SPAN&gt;A row of gondolas by the water’s edge awaited the certainly soon-to-come crowd of passers-by, or tourists, as we called them.&lt;SPAN style="mso-spacerun: yes"&gt;&amp;nbsp; &lt;/SPAN&gt;What a perfect place to set up shop.&lt;SPAN style="mso-spacerun: yes"&gt;&amp;nbsp; &lt;/SPAN&gt;They come by the droves you see.&lt;SPAN style="mso-spacerun: yes"&gt;&amp;nbsp; &lt;/SPAN&gt;They come to sit in your office at your feet for one or two stimulating moments and then traipse down the hill for a gondola ride.&lt;SPAN style="mso-spacerun: yes"&gt;&amp;nbsp; &lt;/SPAN&gt;Do you cry when they leave?&lt;SPAN style="mso-spacerun: yes"&gt;&amp;nbsp; &lt;/SPAN&gt;I think that I would.&lt;SPAN style="mso-spacerun: yes"&gt;&amp;nbsp; &lt;/SPAN&gt;If only someone . . . no, this is the life you chose.&lt;SPAN style="mso-spacerun: yes"&gt;&amp;nbsp; &lt;/SPAN&gt;I’m sure that’s what you think as you watch them go.&lt;/P&gt;&lt;P class=MsoNormal style="MARGIN: 0in 0in 0pt"&gt;&amp;nbsp;&lt;/P&gt;&lt;P class=MsoNormal style="MARGIN: 0in 0in 0pt"&gt;The bridge’s age showed clearly through the cracked bricks and discolored capstones.&lt;SPAN style="mso-spacerun: yes"&gt;&amp;nbsp; &lt;/SPAN&gt;A gondola passed beneath.&lt;SPAN style="mso-spacerun: yes"&gt;&amp;nbsp; &lt;/SPAN&gt;This is England, I thought smugly, which I suppose is all one can do.&lt;SPAN style="mso-spacerun: yes"&gt;&amp;nbsp; &lt;/SPAN&gt;Do you know that they’re charging now just to enter the grounds?&lt;SPAN style="mso-spacerun: yes"&gt;&amp;nbsp; &lt;/SPAN&gt;I heard that two quid is the going rate, and you even have to stand in a queue.&lt;SPAN style="mso-spacerun: yes"&gt;&amp;nbsp; &lt;/SPAN&gt;The courtyard is beautiful, but that’s not why they come.&lt;SPAN style="mso-spacerun: yes"&gt;&amp;nbsp; &lt;/SPAN&gt;Do you know that they come to see your desk?&lt;SPAN style="mso-spacerun: yes"&gt;&amp;nbsp; &lt;/SPAN&gt;They come to see your books.&lt;SPAN style="mso-spacerun: yes"&gt;&amp;nbsp; &lt;/SPAN&gt;People will pay to see anything.&lt;SPAN style="mso-spacerun: yes"&gt;&amp;nbsp; &lt;/SPAN&gt;I watch the way they look around enviously at those who live here.&lt;SPAN style="mso-spacerun: yes"&gt;&amp;nbsp; &lt;/SPAN&gt;If only their longing eyes knew how much we envied their freedom.&lt;SPAN style="mso-spacerun: yes"&gt;&amp;nbsp; &lt;/SPAN&gt;My card of membership gives me what they all think they want, but I have never even been in that courtyard, let alone the building.&lt;SPAN style="mso-spacerun: yes"&gt;&amp;nbsp; &lt;/SPAN&gt;I looked through the wrought iron gates and . . . it was time to turn around.&lt;SPAN style="mso-spacerun: yes"&gt;&amp;nbsp; &lt;/SPAN&gt;&lt;/P&gt;&lt;P class=MsoNormal style="MARGIN: 0in 0in 0pt"&gt;&amp;nbsp;&lt;/P&gt;&lt;P class=MsoNormal style="MARGIN: 0in 0in 0pt"&gt;I paused, looking across the bridge and up at your window.&lt;SPAN style="mso-spacerun: yes"&gt;&amp;nbsp; &lt;/SPAN&gt;It was all still there - the lovers in gondolas, the old stone buildings, your ivory haven. &lt;SPAN style="mso-spacerun: yes"&gt;&amp;nbsp;&lt;/SPAN&gt;It was all still there, but something was different; I understood now.&lt;SPAN style="mso-spacerun: yes"&gt;&amp;nbsp; &lt;/SPAN&gt;No one on that side of town knew me, so I walked, I walked and I cried – for you, for me, for this present evil age.&lt;SPAN style="mso-spacerun: yes"&gt;&amp;nbsp; &lt;/SPAN&gt;Everything about this city is ominous - examination schools, Queen’s, University, All Souls, then around the Rad Cam, through the alley between Lincoln and Exeter where our homeless friend sits and sings, down Market Street, through the Centre, onto Shoe Lane where a man with a banjo and another with a brown bag bellow out an old British bar tune, and into St. Michael’s Hall, our brick, third-floor flat where the baneful darkness lingers yet the faint light remains.&amp;nbsp;&lt;/P&gt;&lt;P class=MsoNormal style="MARGIN: 0in 0in 0pt"&gt;&amp;nbsp;&lt;/P&gt;&lt;P class=MsoNormal style="MARGIN: 0in 0in 0pt"&gt;(written 3.4.06)&lt;/P&gt;&lt;P class=MsoNormal style="MARGIN: 0in 0in 0pt"&gt;&amp;nbsp;&lt;/P&gt;</description><comments>http://oxfordsprodigal.xanga.com/453246139/item/#firstcomment</comments></item><item><title>Tuesday, November 22, 2005</title><link>http://oxfordsprodigal.xanga.com/392018627/item/</link><guid>http://oxfordsprodigal.xanga.com/392018627/item/</guid><pubDate>Tue, 22 Nov 2005 02:18:33 GMT</pubDate><description>&lt;FONT color=#ffffff&gt;&lt;SPAN style="COLOR: black"&gt;&lt;P class=MsoNormal style="MARGIN: 0in 0in 0pt; LINE-HEIGHT: 14.4pt"&gt;&lt;SPAN style="COLOR: white"&gt;I’m not enough of what you need, and I’m too much of what could be the death of all of us.&lt;SPAN style="mso-spacerun: yes"&gt;&amp;nbsp; &lt;/SPAN&gt;My words don’t meld and float like cracked leaves on an icy, cold river.&lt;SPAN style="mso-spacerun: yes"&gt;&amp;nbsp; &lt;/SPAN&gt;They fall hard to the ground like rocks crumbling off a cliff, reminding us of gravity but not inspiring us to greatness.&lt;SPAN style="mso-spacerun: yes"&gt;&amp;nbsp; &lt;/SPAN&gt;You sing a melody that I once knew, but it rests painfully on ears that appear, more often than not, to be unable to hear.&lt;SPAN style="mso-spacerun: yes"&gt;&amp;nbsp; &lt;/SPAN&gt;Nonetheless, I’m not the only one who can’t seem hum to this song quite like it was written. &lt;SPAN style="mso-spacerun: yes"&gt;&amp;nbsp;&lt;/SPAN&gt;Hopkins, Eliot, Auden, and Lewis all displayed the same melodious perpetuity of struggle.&lt;SPAN style="mso-spacerun: yes"&gt;&amp;nbsp; &lt;/SPAN&gt;Perhaps I’ll wear white, flannel trousers and let the awkwardness of this age present itself unabashedly.&lt;SPAN style="mso-spacerun: yes"&gt;&amp;nbsp; &lt;/SPAN&gt;Thomas Stearns and I would have been brilliant friends – he in his tweed, three-piece suit and horn-rimmed glasses, and I with my white, bare, braceleted arms.&lt;SPAN style="mso-spacerun: yes"&gt;&amp;nbsp; &lt;/SPAN&gt;We would have been quite the pair.&lt;SPAN style="mso-spacerun: yes"&gt;&amp;nbsp; &lt;/SPAN&gt;Would he digress do you think?&lt;SPAN style="mso-spacerun: yes"&gt;&amp;nbsp; &lt;/SPAN&gt;I don’t know.&lt;SPAN style="mso-spacerun: yes"&gt;&amp;nbsp; &lt;/SPAN&gt;Those days are gone, but were it not for his laments, I wouldn’t know that I’m not alone.&lt;SPAN style="mso-spacerun: yes"&gt;&amp;nbsp; &lt;/SPAN&gt;But while Eliot reminds me that I was meant for a different place, and Auden sings the songs of pain and compassion, and Lewis profoundly asks the questions that I am afraid to think, it is Hopkins who raises his voice best above the loud clamor of the streetcars and pedestrians this night.&lt;SPAN style="mso-spacerun: yes"&gt;&amp;nbsp; &lt;/SPAN&gt;He brings to my mind the melody that, only moments ago, seemed inaudible under the refuse of my heart.&amp;nbsp; "The world is charged with the grandeur of God," and "He fathers-forth whose beauty is past change: Praise him" (from God's Grandeur and Pied Beauty).&lt;/SPAN&gt;&lt;/P&gt;&lt;/SPAN&gt;&lt;/FONT&gt;</description><comments>http://oxfordsprodigal.xanga.com/392018627/item/#firstcomment</comments></item><item><title>Sunday, November 13, 2005</title><link>http://oxfordsprodigal.xanga.com/386268871/item/</link><guid>http://oxfordsprodigal.xanga.com/386268871/item/</guid><pubDate>Sun, 13 Nov 2005 04:09:57 GMT</pubDate><description>&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;"Ahoy," said the grandfather,&lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;like the clock on the wall,&lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;this ship, it sails on and on,&lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;rough and rolling,&lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;fighting with every beat&lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;of his heart -&lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;the hearth and mantle&lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;that no ship owns -&lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;and a seagull squawks&lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;and the time laps on and on&lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;with red skies warning&lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;and starboards mourning&lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;to the rhythm of his years,&lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;steering toward a beacon&lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;that most don’t see&lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;and fewer reach.&lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;&lt;/FONT&gt;&amp;nbsp;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;"Beware, Beware,"&lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;echo the gasps from&lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;the deadly sea’s belly,&lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;as morning breaks&lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;and joy forsakes&lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;this grief-besotted tragedy.&lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;&lt;/FONT&gt;&amp;nbsp;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;Her lullaby allays the woe&lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;below the deck&lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;in the hold where he holds her tightly&lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;as the tightly-pulled ropes&lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;crack against the sail&lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;and snap, snapping him&lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;to cognizance.&lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;&lt;/FONT&gt;&amp;nbsp;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;For Tennyson’s fading lady&lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;lay in a boat of silk&lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;and lavender after all.&lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;And Poe’s woeful Annabel&lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;tormented him with the spell&lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;of&amp;nbsp;a lover’s last hurrah.&lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;&lt;/FONT&gt;&amp;nbsp;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;"Je suis la fille; je suis ici,"&lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;the damsel on the catwalk&lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;sings her song.&lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;"Je suis ton coeur; je suis ton amour,"&lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;says the girl of his dreams&lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;as he dies in the storm.&lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;&lt;/FONT&gt;&amp;nbsp;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;(written 11.12.05)&lt;/FONT&gt;&lt;/ADDRESS&gt;</description><comments>http://oxfordsprodigal.xanga.com/386268871/item/#firstcomment</comments></item><item><title>Saturday, November 05, 2005</title><link>http://oxfordsprodigal.xanga.com/380966073/item/</link><guid>http://oxfordsprodigal.xanga.com/380966073/item/</guid><pubDate>Sat, 05 Nov 2005 02:16:44 GMT</pubDate><description>&lt;P&gt;&lt;STRONG&gt;&lt;FONT face=Georgia&gt;&lt;EM&gt;What I Saw From the Bastion&lt;/EM&gt;&lt;/FONT&gt;&lt;/STRONG&gt;&lt;/P&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;She wept tearless that her heart was lost&lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;in the far away frost of San Francisco.&lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;Cliche and dark as it was,&lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;the grief of the day incited a &lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;brief and loose sympathy,&lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;for my conscience was held by a mystical &lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;ream of foreboding dreams that faded and returned&lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;with the breaks of the provinces,&lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;quite like hers.&lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;&lt;/FONT&gt;&amp;nbsp;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;She told me that the lions stole her life&lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;as a dead man’s strife tore her bastille.&lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;Professors gave her regiments&lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;and a creed that cures the death&lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;but never seemed to erase&lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;the falling fortifications made from&lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;scraps of origami and cracked glass she loved,&lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;yet penitence would have been a better haven&lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;than her trap of trepidation.&lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;&lt;/FONT&gt;&amp;nbsp;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;I left my affections floating in an ocean&lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;of deep blue and gray,&lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;like the water of Maine,&lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;too cold to address but too deep to refrain.&lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;Where breath is captured&lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;and anger squelched by lapping and laughing&lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;of children’s hearts raptured,&lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;of hawks eyes from the skies,&lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;of lupines rising and falling and moving gently,&lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;submitting to the breeze&lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;of the early summer’s morning,&lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;beckoning the lost to enter,&lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;promising rest but reckoning tears–&lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;for such paradises only exist in the recesses&lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;of taut minds and longing sighs,&lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;in the books of those with inklings of the tides.&lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;So from this shore &lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;fades the world across the waters,&lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;the jade-colored country, to which I look&lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;and wonder how dreams can seem so real,&lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;when the light of day falters&lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;and the flickering of life on the other side&lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;glimmers in the otherwise black of night.&lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;So slightly the light moves through the air&lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;that I don’t know what it means, &lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;or how it fares,&lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;or where it goes,&lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;as it dances to and fro,&lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;or for whom it moves,&lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;yes, for whom it moves.&lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;&lt;/FONT&gt;&amp;nbsp;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;I told no one that I lost my heart&lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;in the far away dark of this sad night,&lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;reading Eliot and writing nonsense,&lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;for the bleeding of the day &lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;and the words yet unspoken&lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;did silence my brandish,&lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;for my heart was held by a whimsical&lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;ream of foreboding dreams that faded and returned&lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;with the divisions of the seas,&lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;quite unlike hers.&lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;&lt;/FONT&gt;&amp;nbsp;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;Please, dear night, might I have&lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;back my heart?&lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;I whisper the trite phrase I don’t mean&lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;against the roaring&lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;waves and thundering graves&lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;of another war’s bounty&lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;that will come and go&lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;on the shore of despondence&lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;and leave me weaker than before&lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;but with life and a conscience,&lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;bound by memories.&lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;&lt;/FONT&gt;&amp;nbsp;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&lt;FONT face=Georgia&gt;(written 9-14-05)&lt;/FONT&gt;&lt;/ADDRESS&gt;&lt;ADDRESS target="_new"&gt;&amp;nbsp;&lt;/ADDRESS&gt;</description><comments>http://oxfordsprodigal.xanga.com/380966073/item/#firstcomment</comments></item><item><title>Sunday, October 30, 2005</title><link>http://oxfordsprodigal.xanga.com/377131053/item/</link><guid>http://oxfordsprodigal.xanga.com/377131053/item/</guid><pubDate>Sun, 30 Oct 2005 03:05:59 GMT</pubDate><description>&lt;H1 style="MARGIN: 0in 0in 0pt"&gt;&lt;FONT size=3&gt;Solitude on Magnolia Terrace&lt;/FONT&gt;&lt;/H1&gt;&lt;P class=MsoNormal style="MARGIN: 0in 0in 0pt"&gt;&amp;nbsp;&lt;/P&gt;&lt;P class=MsoNormal style="MARGIN: 0in 0in 0pt"&gt;Darkness rested in the air all around the inside.&lt;SPAN style="mso-spacerun: yes"&gt;&amp;nbsp; &lt;/SPAN&gt;The shudder-like doors let in a few small streams of light.&lt;SPAN style="mso-spacerun: yes"&gt;&amp;nbsp; &lt;/SPAN&gt;I wondered if they would give me away.&lt;SPAN style="mso-spacerun: yes"&gt;&amp;nbsp; &lt;/SPAN&gt;Could he see me through the holes that reached out into the world?&lt;SPAN style="mso-spacerun: yes"&gt;&amp;nbsp; &lt;/SPAN&gt;Would he know to find me there?&lt;SPAN style="mso-spacerun: yes"&gt;&amp;nbsp; &lt;/SPAN&gt;I hoped not.&lt;SPAN style="mso-spacerun: yes"&gt;&amp;nbsp; &lt;/SPAN&gt;The space inside was small, but I soon decided that, if necessary, I could manage there for quite some time.&lt;SPAN style="mso-spacerun: yes"&gt;&amp;nbsp; &lt;/SPAN&gt;I fit perfectly between the rounded shelves that covered the walls.&lt;SPAN style="mso-spacerun: yes"&gt;&amp;nbsp; &lt;/SPAN&gt;The mass of clothing adorning those white-washed&amp;nbsp;shelves was warm against my back, and I gasped for a moment, feeling slightly claustrophobic.&lt;SPAN style="mso-spacerun: yes"&gt;&amp;nbsp; &lt;/SPAN&gt;I wanted to empty one of the top shelves, climb up and pull the clothes over and around me; then I would really be hidden.&lt;SPAN style="mso-spacerun: yes"&gt;&amp;nbsp; &lt;/SPAN&gt;But I had grown too big for such things, so I stood there in silence, trying to admire the way the slits of light fell on my legs and arms.&lt;SPAN style="mso-spacerun: yes"&gt;&amp;nbsp; &lt;/SPAN&gt;I had chosen this place carefully.&lt;SPAN style="mso-spacerun: yes"&gt;&amp;nbsp; &lt;/SPAN&gt;It was, by far, the best fit for me.&lt;SPAN style="mso-spacerun: yes"&gt;&amp;nbsp; &lt;/SPAN&gt;Every other option I found to be too small, too dangerous, or too obvious.&lt;SPAN style="mso-spacerun: yes"&gt;&amp;nbsp; &lt;/SPAN&gt;From this vantage-point not only was I closed in, but no one could sneak up on me.&lt;SPAN style="mso-spacerun: yes"&gt;&amp;nbsp; &lt;/SPAN&gt;My back to the wall and my face to the door, I felt fairly well prepared for any intrusion to my personal haven.&lt;SPAN style="mso-spacerun: yes"&gt;&amp;nbsp; &lt;/SPAN&gt;Alert and aware, I waited, but he never came.&lt;SPAN style="mso-spacerun: yes"&gt;&amp;nbsp; &lt;/SPAN&gt;I heard footsteps.&lt;SPAN style="mso-spacerun: yes"&gt;&amp;nbsp; &lt;/SPAN&gt;I heard voices.&lt;SPAN style="mso-spacerun: yes"&gt;&amp;nbsp; &lt;/SPAN&gt;Didn’t they know I was ready for them?&lt;SPAN style="mso-spacerun: yes"&gt;&amp;nbsp; &lt;/SPAN&gt;No one could scare me this time.&lt;SPAN style="mso-spacerun: yes"&gt;&amp;nbsp; &lt;/SPAN&gt;But they never came.&lt;SPAN style="mso-spacerun: yes"&gt;&amp;nbsp; &lt;/SPAN&gt;Would they leave me there alone forever?&lt;SPAN style="mso-spacerun: yes"&gt;&amp;nbsp; &lt;/SPAN&gt;Did they think I really enjoyed my solitude as much as I pretended to?&lt;SPAN style="mso-spacerun: yes"&gt;&amp;nbsp; &lt;/SPAN&gt;But still they never came.&lt;SPAN style="mso-spacerun: yes"&gt;&amp;nbsp; &lt;/SPAN&gt;I had picked the perfect spot.&lt;SPAN style="mso-spacerun: yes"&gt;&amp;nbsp; &lt;/SPAN&gt;Sometimes I hated hide and seek.&lt;/P&gt;&lt;P class=MsoNormal style="MARGIN: 0in 0in 0pt"&gt;&amp;nbsp;&lt;/P&gt;&lt;P class=MsoNormal style="MARGIN: 0in 0in 0pt"&gt;(written 3.21.03)&lt;/P&gt;</description><comments>http://oxfordsprodigal.xanga.com/377131053/item/#firstcomment</comments></item><item><title>Monday, October 17, 2005</title><link>http://oxfordsprodigal.xanga.com/368962443/item/</link><guid>http://oxfordsprodigal.xanga.com/368962443/item/</guid><pubDate>Mon, 17 Oct 2005 03:18:52 GMT</pubDate><description>&lt;P class=MsoNormal style="MARGIN: 0in 0in 0pt"&gt;&lt;FONT size=5&gt;Huxley, Plato,&amp;nbsp;and Classical Education&lt;/FONT&gt;&lt;/P&gt;&lt;P class=MsoNormal style="MARGIN: 0in 0in 0pt"&gt;&lt;?xml:namespace prefix = o ns = "urn:schemas-microsoft-com:office:office" /&gt;&amp;nbsp;&lt;/P&gt;&lt;P class=MsoNormal style="MARGIN: 0in 0in 0pt"&gt;I just spent the last couple of hours discussing educational systems from different eras and different countries.&amp;nbsp; I am too tired to relate it all, but I'll give a brief overview, and I'd love to know what you guys think.&amp;nbsp; The conversation began with a discussion of books in the vein of &lt;U&gt;1984&lt;/U&gt;, &lt;U&gt;Anthem&lt;/U&gt;, &lt;U&gt;Brave New World&lt;/U&gt;, &lt;U&gt;The Giver&lt;/U&gt;, and &lt;U&gt;Farenheight 451&lt;/U&gt;.&amp;nbsp; We were talking about the fact that all those books present similar pictures of the government creating a society of gingerbread men, cookie-cutter people.&amp;nbsp; In writing &lt;U&gt;Brave New World&lt;/U&gt;, Huxley was trying to display the fact that the government forces people to do what the government sees is best and then convinces the people that what they've been given (or forced to have) is what they really want.&amp;nbsp; As a group, we began contemplating the question of whether or not that is what has happened in the American educational system.&amp;nbsp; American students have been taught how to memorize and regurgitate like no others.&amp;nbsp; We have been told that standardized tests are the gauge of intellectual astuteness.&amp;nbsp; Instead of having been taught to think, we were taught to be human calculators - if given the right data, the right word or series of words, we could tell you if the answer was A, B, C, or D.&amp;nbsp; The British university system&amp;nbsp;(not surprisingly, quite similar to the system used in colonial &lt;?xml:namespace prefix = st1 ns = "urn:schemas-microsoft-com:office:smarttags" /&gt;America) teaches students not only the information necessary but also how to think analytically.&amp;nbsp; Their approach is entirely different.&amp;nbsp; For example, when I studied in England, my Philosophy of Religion class could not have been more different from its American counterpart.&amp;nbsp; Once a week, I met one-on-one with my professor.&amp;nbsp; Each time we met, he gave me&amp;nbsp;a piece of paper that had on it a question and a list of&amp;nbsp;six books.&amp;nbsp;&amp;nbsp; By one week hence, I was to have read the books and answered the question in a paper that was to be approximately 15-20 pages.&amp;nbsp; When I met with him, a week after receiving the question, I would read my paper aloud, and he would attack every idea that I had written, making me defend every sentence and paragraph that I had so carefully crafted.&amp;nbsp; We did this once a week for eight weeks (and that was only one of three classes that I was taking at the time).&amp;nbsp; To us, that sounds absurd, but to my fellow British students, that was all they knew.&lt;SPAN style="mso-spacerun: yes"&gt;&amp;nbsp; &lt;/SPAN&gt;England is producing the smartest, the most analytically intelligent, people in the world.&lt;SPAN style="mso-spacerun: yes"&gt;&amp;nbsp; &lt;/SPAN&gt;So, here’s my question, why does America simply produce people who can give us what we want, when we could produce people who really think?&lt;SPAN style="mso-spacerun: yes"&gt;&amp;nbsp; Why do we read all of the books that people have written about the philosophers, and leave it to the Brits to actually read the writings of Plato, Aristotle,&amp;nbsp;and Socrates?&amp;nbsp; &lt;/SPAN&gt;Are we afraid that they would pose a threat to democracy?&lt;SPAN style="mso-spacerun: yes"&gt;&amp;nbsp; &lt;/SPAN&gt;Why do we not simply dispose of our alphabetical, clean-cut matrix and establish an educational system that is founded on the principles of education that made colonial America (and makes England) such a brilliant world?&lt;SPAN style="mso-spacerun: yes"&gt;&amp;nbsp; &lt;/SPAN&gt;As believers, all that we do is to be done as unto the Lord – to the best of our abilities for His glory.&lt;SPAN style="mso-spacerun: yes"&gt;&amp;nbsp; &lt;/SPAN&gt;Is not education a part of &lt;EM&gt;all&lt;/EM&gt;?&lt;/P&gt;</description><comments>http://oxfordsprodigal.xanga.com/368962443/item/#firstcomment</comments></item><item><title>Monday, October 10, 2005</title><link>http://oxfordsprodigal.xanga.com/364533585/item/</link><guid>http://oxfordsprodigal.xanga.com/364533585/item/</guid><pubDate>Mon, 10 Oct 2005 14:12:27 GMT</pubDate><description>&lt;P&gt;We want to be writers.&amp;nbsp; So&amp;nbsp;we're not Lewises or Tolkiens yet, none of us are.&amp;nbsp; But our words are the words of writers.&amp;nbsp; Our diction is that of poets.&amp;nbsp; I was struggling last week with missing Oxford (as I often do) and wondering what I am doing with this life.&amp;nbsp; But I quickly realized that there's little profit in such contemplations.&amp;nbsp; I don't know where I am going to end up or what exactly I am going to do, but no one does.&amp;nbsp; I saw that there are things that I want to do (simply desires)&amp;nbsp;and things that I need to do (things without which&amp;nbsp;I cannot live).&amp;nbsp; I love the Lord and I &lt;EM&gt;need&lt;/EM&gt; to follow and serve and glorify Him in all that I do, and I &lt;EM&gt;need&lt;/EM&gt;&amp;nbsp;to live for the propagation of the gospel.&amp;nbsp; I &lt;EM&gt;want&lt;/EM&gt;&amp;nbsp; to be a writer . . . but if what I need requires me to sacrifice what I want, then so be it.&amp;nbsp; So, I want to be a writer?&amp;nbsp; For now, I'll write.&amp;nbsp; So, I want to travel the world, return to China and England.&amp;nbsp; For now, I'll do what I can to go back there and bring the truth to the dark places.&amp;nbsp; Maybe I'll never make it back to China or England, and maybe I'll never write again.&amp;nbsp; But that's okay, because I've found that my confidence is not in what I can do, and my satisfaction is not in fulfilling all my dreams.&amp;nbsp; I'm an alien and&amp;nbsp; a stranger&amp;nbsp;looking for a heavenly country,&amp;nbsp;a city which has foundations, whose architect and builder is God (Heb. 11.10,16).&lt;/P&gt;</description><comments>http://oxfordsprodigal.xanga.com/364533585/item/#firstcomment</comments></item><item><title>Sunday, October 09, 2005</title><link>http://oxfordsprodigal.xanga.com/363526019/item/</link><guid>http://oxfordsprodigal.xanga.com/363526019/item/</guid><pubDate>Sun, 09 Oct 2005 00:27:59 GMT</pubDate><description>&lt;P align=center&gt;&lt;IMG style="WIDTH: 190px; HEIGHT: 141px" height=209 src="http://www.screensavershot.com/nature2/biland.jpg" width=216&gt;&amp;nbsp; &amp;nbsp;&lt;IMG style="WIDTH: 188px; HEIGHT: 140px" height=118 src="http://www.kennys.ie/MapsPrints/SeanTomkinsPhotos/Atlantic%20Meets%20West%20Ireland.jpg" width=188&gt;&lt;/P&gt;&lt;P&gt;So, I've started a new book called "Ireland" (hence the pictures&amp;nbsp;of Ireland).&amp;nbsp; I am hopeful that this one won't contain any of the modern-literature-levity that I so dislike.&amp;nbsp; Between the mediocrity that too often&amp;nbsp;characterizes "Christian literature" and the noxiousness that too often characterizes "secular literature," one can have a great deal of difficulty finding much worth reading these days.&amp;nbsp; I only put the distinctions of types of&amp;nbsp;literature in quotes because the dichotomy that we've created between the secular and the sacred is really&amp;nbsp; unclear, and, generally, ought never to have been established, because Scripture speaks against "men who forbid marriage and advocate abstaining from foods which God has created to be gratefully shared in by those who believe and know the truth.&amp;nbsp; For everything created by God is good, and nothing is to be rejected if it is received with gratitude; for it is sanctified by means of the word of God and prayer" (1 Tim. 4.3-5).&amp;nbsp; All of that to say, I know what we mean by the terms, and most of you know as well, so I'll use them anyway, even though the origin is ambiguous and, ultimately, unfounded (see the pre-reformation writings of the catholic church regarding the distinction, and the writings of the early to mid reformation -&amp;nbsp;debates surrounding the iconoclasts, etc.).&lt;/P&gt;&lt;P align=center&gt;&lt;IMG style="WIDTH: 186px; HEIGHT: 136px" height=280 src="http://www.kayakers.nf.ca/sea_kayaking/trip_reports/tripimages/ireland'seye5.jpg" width=223&gt;&amp;nbsp;&amp;nbsp; &lt;IMG style="WIDTH: 183px; HEIGHT: 134px" height=274 src="http://www.geraldbrimacombe.com/UK%20-Ireland/Ireland%20-%20County%20Kerry%20old%20farm%20wagon.jpg" width=286&gt;&amp;nbsp;&amp;nbsp; &lt;IMG style="WIDTH: 192px; HEIGHT: 135px" height=195 src="http://www.kennys.ie/MapsPrints/SeanTomkinsPhotos/Atlantic%20West%20Of%20Ireland%202.jpg" width=373&gt;&lt;/P&gt;&lt;A href="http://images.google.com/imgres?imgurl=http://www.kayakers.nf.ca/sea_kayaking/trip_reports/tripimages/ireland%27seye5.jpg&amp;amp;imgrefurl=http://www.kayakers.nf.ca/sea_kayaking/trip_reports/tripimages/&amp;amp;h=439&amp;amp;w=648&amp;amp;sz=47&amp;amp;tbnid=eXgleq8s3-8J:&amp;amp;tbnh=91&amp;amp;tbnw=135&amp;amp;hl=en&amp;amp;start=15&amp;amp;prev=/images%3Fq%3DIreland%2Bpictures%26svnum%3D10%26hl%3Den%26lr%3D%26sa%3DN" target=_new&gt;&lt;/A&gt;</description><comments>http://oxfordsprodigal.xanga.com/363526019/item/#firstcomment</comments></item><item><title>Thursday, October 06, 2005</title><link>http://oxfordsprodigal.xanga.com/361808690/item/</link><guid>http://oxfordsprodigal.xanga.com/361808690/item/</guid><pubDate>Thu, 06 Oct 2005 05:34:58 GMT</pubDate><description>&lt;P align=center&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;A href="http://web.comlab.ox.ac.uk/archive/ox/photos/spires.jpeg" target=_new&gt;&lt;IMG height=97 alt=[Photograph] src="http://web.comlab.ox.ac.uk/archive/ox/photos/spires-small.jpeg" width=513&gt;&lt;/A&gt;&lt;/P&gt;
&lt;P class=MsoNormal style="MARGIN: 0in 0in 0pt"&gt;I've missed &lt;?xml:namespace prefix = st1 ns = "urn:schemas-microsoft-com:office:smarttags" /&gt;&lt;st1:City w:st="on"&gt;&lt;?xml:namespace prefix = u1 /&gt;&lt;u1:City u2:st="on"&gt;Oxford&lt;/st1:City&gt;&lt;/u1:City&gt; since not long after I returned to this side of the &lt;u1:place u2:st="on"&gt;&lt;st1:place w:st="on"&gt;Atlantic&lt;/st1:place&gt;&lt;/u1:place&gt;.&amp;nbsp; It's not so much the University that beckons me to return as&amp;nbsp;it is the thousand things that made me call that city home.&amp;nbsp; In some ways, I feel that it will always be my home.&amp;nbsp; Sure, it's true, I only lived there for a brief time, no more than a semester, but for me &lt;u1:City u2:st="on"&gt;&lt;u1:place u2:st="on"&gt;&lt;st1:City w:st="on"&gt;&lt;st1:place w:st="on"&gt;Oxford&lt;/st1:place&gt;&lt;/st1:City&gt;&lt;/u1:place&gt;&lt;/u1:City&gt; is like listening to a song that nearly takes your breath away.&amp;nbsp; You know what I'm talking about, the kind of song you love and could listen to ten times in a row without a hint of monotony creeping into your mind.&amp;nbsp; "Enchanted."&amp;nbsp; Perhaps that's the word for it.&amp;nbsp; I can't say that I know for sure.&amp;nbsp; I am not certain whether I took a bit of that place with me when I left or if part of me is still there, wandering through the often dismal streets.&amp;nbsp; I should think it must be a bit of both.&amp;nbsp; So often, daily I suppose, I find myself walking in my minds eye down Queen Street or Cornmarket . . .&amp;nbsp;heading through the ally past the homeless man (whose name has seeped from my memory) on my way to the majestic Radcliff Camera . . . taking a sharp right just before The Lamb and Flag on the short route to Keble . . . sprinting up and down the field with the other young scholars during a brilliant match of ultimate frisbee . . . walking through the park and gazing back at the&amp;nbsp;gorgeous cityscape . . .&amp;nbsp;sitting in the lecture hall and listening to the informative (and&amp;nbsp;humorous) monologues of Strudwick and Philpot and others whose names escape me . . . wearing a black robe and standing in the long,&amp;nbsp;foreboding dining hall as the professor of choice prays in Latin . . . &amp;nbsp;sitting in the brilliant little Keble library cubical surrounded by stacks of books (the first on the left, that's where I always sat) . . . sitting in The Eagle and Child with my cynical philosophy professor as he rambles on about "process theism" and "reformed epistemology" . . . going outside and dancing in the Oxford snow (with a dear friend from California who had never before seen snow) . . .&amp;nbsp;going to the little hardware store below our flat in search of all kinds of necessities . . . making the weekly trek to Frewin Court for a mid afternoon tea and staying&amp;nbsp;and talking for hours with Sharyn, Paul, and Kevin (a band of idealist philosophers we were) . . . going to the market once a week to buy fresh produce that the brash framers brought in from surrounding villages (I can't tell you how many times they cheated me, because I knew nothing about the pound when first I got there) . . . walking solemnly around the ruins of one old castle or another, more interested in the artistic value and the history than the lectures of my professors&amp;nbsp;. . . walking miles to get to a brilliant little pub on a river far outside the city and eating fish &amp;amp; chips for the first time . . . going out at two in the morning to get chips &amp;amp; cheese from the kabob van as a reward after countless hours of intense study . . . sitting in that little library with my philosophy professor and reading papers&amp;nbsp;aloud to him as I visibly shook . . . going to Blackwell's (termed "Dante's Inferno" by students because of it's seven or eight floors) to buy countless rather expensive books for class (and, of course, to look around for other books I might want to buy and take home&amp;nbsp;- what was it Erasmus once said? "If I have any money, I buy books.&amp;nbsp; If I have any left after that, I buy food and clothes."&amp;nbsp; He would have been proud of me) . . . sitting on the green, shellacked basement stairs of our flat and reading "Reformation Thought," written&amp;nbsp;by our very own Alistair McGrath . . . making and drinking five to ten cups of tea a day (that was another little treat each time we finished a couple of hours of study&amp;nbsp;- &amp;nbsp;from time to time, or all the time, Sharyn and I were in dire need of incentive) . . . preparing and eating stir-fry nearly everyday (and often twice a day) because cabbage was far cheaper than anything else we could find . . . making our weekly runs to Sainsbury’s to buy bread and cheese (I still can't bring myself to throw away my receipts - I guess it's like holding on to a bit of my time there) . . . sitting across the desk from the very red-faced, very Reverend Smail as he told me how certain he was that I knew that Greek word, for I must know it, for everyone knew it (oh, but let me tell you, I certainly did not - much to my chagrin, and his) . . . sitting&amp;nbsp;in the&amp;nbsp;basement of Frewin Court with my team of&amp;nbsp;Reformation Theologians and&amp;nbsp;preparing our debate on original sin (Carolyn and I were to be Augustinians and Kevin and good-old-what's-his-name were to be Pelagians) . . .&amp;nbsp;walking through the streets of Brighton, Hay-on-Wye, Edinburgh, and Stiriling . . . and, as with any good lass, falling hopelessly in love with Scottish&amp;nbsp;highlands and history&amp;nbsp;. . . spending many hours in the basement (for that is where the Theology section was) of the biggest used bookstore in a small Welsh village that boasted thirty-nine such places of business . . . trekking a bit of the stunning Offa's Dyke Path (which runs the whole length of the border between England and Wales) as sheep and lambs playfully chased each other, crossing our path over and over . . . going to a farm of a friend&amp;nbsp;in Scotland and holding a lamb who was only a few days old, nuzzling my face into the new, soft, white curls on its head and back . . . hiking&amp;nbsp;for quite some time&amp;nbsp;and seeing&amp;nbsp;the stunning view from the top of Brewer Falls after a delightfully Scottish lunch at the restaurant below . . . hearing stories of the beautiful history of the glorious Scottish motherland from the dearest and proudest Scotsman, Bill Anderson . . . going to Queen's View and looking out across the great expanse of crystal-like water and heather-covered hills . . . spending hours, days with the Cooke's as the Mr. taught us from the Word and the Mrs. showed us the greatest hospitality . . . watching as Dan (an Oxford Ph.D. candidate) gave every Cooke child he could find a hard time about anything he could conjure up in his imagination . . . listening to him talk about his Ph.D. thesis regarding the use of silence in the works of George Eliot (we often asked him if that meant there would actually be no content to his thesis - it seemed to make sense to us) . . . sitting in the small lobby outside my room with&amp;nbsp;two of the dearest sisters I've known and studying truth&amp;nbsp;. . .&amp;nbsp;sitting here and silently weeping as I think back on a place that I still call my home.&amp;nbsp; &lt;/P&gt;
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&lt;P class=MsoNormal style="MARGIN: 0in 0in 0pt"&gt;If you have made it this far, I do commend you, my voracious reader.&amp;nbsp; I suppose, in some ways, I needed to write this more that you needed to read it.&amp;nbsp; But also, I have just written down a part of my life, a part of my heart that I have so longed for many of you to see and understand.&amp;nbsp; &lt;u1:City u2:st="on"&gt;&lt;u1:place u2:st="on"&gt;&lt;st1:City w:st="on"&gt;&lt;st1:place w:st="on"&gt;Oxford&lt;/st1:place&gt;&lt;/st1:City&gt;&lt;/u1:place&gt;&lt;/u1:City&gt; is (and will be) indelibly emblazoned on my heart.&amp;nbsp; I feel as though there are still a thousand more things that I could tell you, old haunts that I could give away and painful tutorials I could bemoan.&amp;nbsp; However, for now, I must rest with my heart yet withholding a bit of my magical and "enchanting" world.&amp;nbsp; So, why this sudden blast of nostalgia?&amp;nbsp; It's interesting, that word, in the Greek from which it comes, actually refers to a sort of painful homecoming.&amp;nbsp; Which is, I suppose, what this has been.&amp;nbsp; I finished reading "The Poet of Loch Ness" tonight.&amp;nbsp; I read it in just over a&amp;nbsp;twenty-four hour period of time, which is unusual for me.&amp;nbsp; There were a number of parts of it that I did not like and some that I skipped altogether.&amp;nbsp; I read it in hopes of getting a glimpse of the land I once loved (and still do, evidently), of the stunningly breath-taking &lt;u1:country-region u2:st="on"&gt;&lt;u1:place u2:st="on"&gt;&lt;st1:country-region w:st="on"&gt;&lt;st1:place w:st="on"&gt;Great Britain&lt;/st1:place&gt;&lt;/st1:country-region&gt;&lt;/u1:place&gt;&lt;/u1:country-region&gt;.&amp;nbsp; And what a picture I beheld.&amp;nbsp; While the book itself was tainted by those vile things that so often mar modern literature, the story (minus the parts that I wished to white-out) was incredibly well-crafted and brought me back to another time and another place (especially as the characters gallivanted&amp;nbsp;through the University of St. Andrews, which, in many surprising ways, reminded me of Oxford).&amp;nbsp; So, understand that I do not recommend the book (although much of it was rather moving and brought me to surprised tears), I have simply describe it so as to give you a background for my verbal frenzy.&amp;nbsp; Nonetheless, at this juncture, there is one quote from the book that I feel worth relating to you.&amp;nbsp; The main character, an American by birth who spent her college days at St. Andrews, and has now returned after seventeen years in the states, says, "&lt;st1:place w:st="on"&gt;&lt;st1:country-region w:st="on"&gt;America&lt;/st1:country-region&gt;&lt;/st1:place&gt; isn't my home.&amp;nbsp; It isn't anybody's home that I know of.&amp;nbsp; It is only the holding place for the landless and the forsaken children of wandering parents, the waylaid seed of a vagrant and confused race" (285).&amp;nbsp; To some of you, this quote rings with a sort of ungrateful animosity, but I encourage you to do your best to read between the lines.&amp;nbsp; While I may not share in the brazenness of her comments, I do see and understand the sentiment that her lines are meant to portray.&amp;nbsp; For those who have been there, you know what it means; for those who have not, I do hope that you can someday understand.&amp;nbsp; We are led to communicate such things not out of a lack of respect for the country in which so many of us currently dwell, but from a proverbial "finding of oneself" (which really consists of simply maturing)&amp;nbsp;that seems so often to take place in a country where the history and lore are as deep as the sea that divides our nations.&amp;nbsp; When asked why she had returned to &lt;st1:country-region w:st="on"&gt;&lt;st1:place w:st="on"&gt;Scotland&lt;/st1:place&gt;&lt;/st1:country-region&gt; after so long, the main character said, "I'm running toward something . . . And away from something, too, I think.&amp;nbsp; I want to throw away the conveniences of choice that pass for thought.&amp;nbsp; I came to discover which of my assumptions can hold and make it to port and which will founder under the waves" (229).&lt;/P&gt;
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